Add to ORKGThis article draws on John J. MacAloon's analysis of spectacle as a performance genre as well as the author's participant observation at two Australian Fashion Weeks to consider how fashion shows can be understood as spectacles. It critiques the importance of liveness and the mediation of the live alongside consideration of the primacy of "being there" and the ways the sensorily spectacular dimensions of fashion shows overlay the displayed collections with meaning
Undefined borders between artistic practices dominated the XX century. The need to name and organise...
This article is concerned with what happens to precarious community buildings in times of austerity....
The app, Roam, was designed to be a one-stop destination for all happenings and information related ...
This article draws on John J. MacAloon's analysis of spectacle as a performance genre as well as the...
This article draws on John J. MacAloon's analysis of spectacle as a performance genre as well as the...
Everyday fashion components and elements such as the pocket, the sleeve, or the seam often become ov...
Presentation at the Bendigo International Festival of Exploratory Music, 7th September 2019, alongsi...
This thesis is an examination of how authors of the late Victorian and early Twentieth Century descr...
This thesis is an examination of how authors of the late Victorian and early Twentieth Century descr...
Martin Wight’s fragmentary comments entitled ‘The Disunity of Mankind’ are by no means a major work,...
The chapter is part of the research project Performance, Heritage, and Community, in the Theatre and...
Martin Wight’s fragmentary comments entitled ‘The Disunity of Mankind’ are by no means a major work,...
My research and art practice focus on the idea of power dynamics where the female is the passive obj...
One criticism of electronic textiles and wearable technology is that instead of being integrated int...
Defocus utilizes biomimicry to test the influences science and nature have on clothing aesthetics an...
Undefined borders between artistic practices dominated the XX century. The need to name and organise...
This article is concerned with what happens to precarious community buildings in times of austerity....
The app, Roam, was designed to be a one-stop destination for all happenings and information related ...
This article draws on John J. MacAloon's analysis of spectacle as a performance genre as well as the...
This article draws on John J. MacAloon's analysis of spectacle as a performance genre as well as the...
Everyday fashion components and elements such as the pocket, the sleeve, or the seam often become ov...
Presentation at the Bendigo International Festival of Exploratory Music, 7th September 2019, alongsi...
This thesis is an examination of how authors of the late Victorian and early Twentieth Century descr...
This thesis is an examination of how authors of the late Victorian and early Twentieth Century descr...
Martin Wight’s fragmentary comments entitled ‘The Disunity of Mankind’ are by no means a major work,...
The chapter is part of the research project Performance, Heritage, and Community, in the Theatre and...
Martin Wight’s fragmentary comments entitled ‘The Disunity of Mankind’ are by no means a major work,...
My research and art practice focus on the idea of power dynamics where the female is the passive obj...
One criticism of electronic textiles and wearable technology is that instead of being integrated int...
Defocus utilizes biomimicry to test the influences science and nature have on clothing aesthetics an...
Undefined borders between artistic practices dominated the XX century. The need to name and organise...
This article is concerned with what happens to precarious community buildings in times of austerity....
The app, Roam, was designed to be a one-stop destination for all happenings and information related ...